Categories
Events Nightlife Timeline

Horrochata’s “Be Cute” Halloween Bash

HORROCHATA’S “BE CUTE”

HALLOWEEN

LITTLEFIELD, GOWANUS

NIGHTLIFE

10-30-21

8th Annual Halloween bash was held at Littlefield in Gowanus, with performances by Charlene Incarnate, Lucy Balls, C’etait BonTemps, Dèvo Monique, Tina Twirler, Angelica Sundae, Ginger Von Snap, Neon Calypso, and Horrorchata herslef. DJ sets by Tikka Masala and Hannah Lou.

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Alexey Kim

Founder

Categories
Events Festivals Timeline

Bushwig 2021 – Day 2 (NSFW)

BUSHWIG DAY 2

(NSFW)

09-12-21

KNOCKDOWN CENTER, QUEENS

Looks and performances from the first day of Bushwig featuring Casey Spooner, Dahlia Sin, Evah Destruction, Jasmine Kennedie, Kevin Aviance, La Zavaleta, Maddelynn Hatter, Miss Malice, Neon Calypso, Rify Royalty, The Dragon Sisters, and much more.

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Alexey Kim

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Categories
Events Festivals Timeline

Bushwig 2019 – Day 1 (NSFW)

BUSHWIG DAY 1

(NSFW)

09-11-21

KNOCKDOWN CENTER, QUEENS

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Alexey Kim

Founder

Categories
Events Timeline

NYC’s Biggest Drag Festival Sort of Just Happened in Spite of Corona

EVENTS | FESTIVALS

Bushwig 2020:

Corona Edition

One of the world’s biggest drag performance festivals, just kind of happened on Saturday, October 3, in spite of coronavirus.

10-03-20

Bushwig, one of the world’s biggest drag performance festivals, originating in Brooklyn in 2011, just kind of happened on Saturday, October 3, in spite of coronavirus. The official three days of the festival that usually happen at Brooklyn’s Knockdown Center around this time of the year, were scrapped just a couple of months ago, when the prospects of opening up New York spaces that could accommodate large crowds were slim to none.

Horrorchata

The social-distancing event happened over the course of a Saturday evening in Maria Hernandez Park in Brooklyn. The official Bushwig IG page posted a flyer about the event just a few days before it happened, giving unusually short notice to the festival’s fans. The post advised everyone to wear a mask and a wig, and to keep 6 feet apart. Instead of the usual 300+ performers that would have been scheduled over the course of the three days at the Knockdown Center, only 12 performer names were featured on the flyer. Amongst the night’s slated performers were Bushwig’s old-timer Charlene, Ms. Bushwig 2018 Chiquitita (née Harajuku and then Juku), Sasha Velour’s NightGowns show’s regular Neon Calypso, the self-proclaimed mother of Brooklyn drag, Merrie Cherry, and Bushwig’s co-founder Horrorchata herself.

The crowd warmed up with the DJ set from Babes Trust, the second co-founder of the festival, who eventually came out onstage to start off the shows and tell everyone that the idea to throw the event was very last minute, and that all of the proceeds would go to the performers and the Bushwig organization team “to survive and strive.” The evening’s shows were split in two parts with a 10-minute intermission. Lady Quesa’Dilla opened and MC’d the first part of the evening, with Rify Royalty and drag king Myster E Mel Kiki following right after. Chiquitita, formerly Juku, debuted her new stage name to Sade’s “Is It A Crime,” sensuously embodying her womanhood in front of the large crowd; Neon Calypso followed up with poem “Capitalism” by Porsha Olayiwola, a 2014 Individual World Poetry Champion, breaking into “Bitch Better Have My Money” with her signature flips and splits; Merrie Cherry and Horrorchata closed out the first half of the performances with a joyous duet.

Charlene

Chiquitita

La Zavaleta

Merrie Cherry took over the MC duties for the second half of the evening and attempted to thank the NYPD for not kicking everyone out of the park. Most of the crowd booed and several people screamed out, “Fuck NYPD!” To which Merrie Cherry conceded and said that she was just grateful that everyone could come together and celebrate Bushwig.

The larger-than-life Dragon Sisters opened up the second act with a bang, while the multi-talented opera singing aerialist Marcy Richardson showered them with a thick stash of dollar bills; Charlene followed up with a fierce hairography thanks to her signature portable fan, her unruly bosom continually popping out of her deeply V-necked ensemble; Zavaleta kicked off her heels, one of which managed to hit someone in the crowd in the head, at the start of her performance and then cried bloody tears through plastic tubes attached to a pump; Miz Jade introduced everyone to a “Toxic” X “WAP” mashup; the last two performances belonged to Magenta and then Horrorchata’s duet with Charlene.

Performers of Brooklyn

The night wrapped up with an iconic photo op of all the Brooklyn-based performers in attendance and a DJ set by mrjpatt. The organizers of the event are already setting their eyes on next year. In Bushwig’s most recent IG post, part of the comment reads, “See you September 11th & 12th 2021 at @knockdowncenter ~ Tickets on sale soon“. Here’s to hoping that things will go back to somewhat normal in the upcoming year and the Brooklyn LGBTQIA+ community will be able to celebrate with each other once again under the roof of the Knockdown Center.

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Alexey Kim

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EDITORIAL Timeline

Untitled (America) Is Our Future (?)

THE MIXER | EDITORIAL

Untitled (America)

Is Our Future (?)

Brooklyn-based drag artist Untitled Queen offers a glimpse at a new America, through her July 4th digital fundraiser.

07-04-20

Illustrations by Paco May

No one could have predicted

That the new decade

Would start off the way that it did.


As most of the world was put under coronavirus-related lockdown, the landscape of our day-to-day lives started shifting. It wasn’t a “free” world anymore as we knew it – perspectives on what’s important started changing, and it seemed that the value of human connection finally started outweighing the value of clout and material things. People started missing things that they had taken for granted, like seeing your abuela or walking down a crowded street.

In the midst of the COVID-19 pandemic that has claimed so many elderly and immuno-compromised lives, another pandemic has long been present in the US for over 400 years which has also claimed countless lives. A pandemic that doesn’t care about your age, gender, or the status of your immune system – it only cares about the color of your skin. It’s not that systemic racism was news, like the outbreak of this strain of the SARS virus that was named COVID-19, it’s just that a combination of unfortunate events happening all at the same time made people say, “Enough.”

The shooting of 25-year-old Ahmaud Arbery while out on a jog, the killing of George Floyd by a cop kneeling on his neck, and then a video of a white woman, Amy Cooper, calling cops on a Black man and pretending she was attacked, fueled the fire that has yet to be stopped. Large-scale protests and rallies, some of which turned violent, erupted all over the country, sparking the conversation about racial injustice not only in the US, but all over the world. It’s a month into the protests and there is no end in sight. People are demanding real change. Even though the mass outrage has yielded some fruitful results – such as the arrest of all 4 cops involved in George Floyd’s murder, NYC’s section 50-a repeal, and Colorado’s police reform bill signed into law – the officers that killed young EMT worker Breonna Taylor in her own home are still walking free, and there are many other police officers on the job that have yet to be held accountable for their abusive actions. And while certain municipalities have promised to defund and/or shift police budgets (LAPD slashed by $150 million, NYC slashed by $1 billion), in general the local and federal government have yet to meet the Black Lives Matter movement’s demands regarding defunding the police.

Enough

For the most part of the spring it was all about supporting LGBTQIA+ creatives that were suddenly out of work due to the coronavirus, with no means to apply for unemployment; right now it’s all about supporting Black and grassroots organizations. Even though it’s still far from possible for NY nightlife to resume with the normal pace of operations in physical venues, nightlife hosts and performers have carved out an online niche as the means for raising money for needed causes. For example, one of NYC’s nightlife impresarios, Susanne Bartsch, collected $32,000 for the Black Lives Matter movement during one of her On Top virtual parties. Ceyenne Doroshow, the founder of G.L.I.T.S. (Gays and Lesbians Living In a Transgender Society) secured over $1 million in donations for permanent housing for Black trans people, all thanks to the power of the internet.

Untitled Stitched

Amongst the sea of virtual fundraisers promoted all over social media, one particular event, hosted by drag artist Untitled Queen, stands out on its own. Brooklyn-based Untitled has a master’s degree in fine arts and puts on meticulously executed poetic performances that are as profound as they are beautiful. On July 4th, she will be hosting her own version of a fundraiser, an all-captioned digital drag show named Untitled (America).

“We’re doing this fundraiser on the Fourth of July because it denotes the mass genocide and displacement of indigenous peoples and then of course enslavement and oppression of Black people in the creation of this country,” says Untitled on why she chose that specific American holiday as the date for the show. The show’s lineup is fully composed of drag artists of color, each representing the US state/territory in which they currently reside. There are four indigenous drag artists amongst the 52 scheduled acts.

A charity that Untitled decided to benefit is the Navajo Water Project, which is an indigenous-led, community-managed utility alternative that brings hot and cold running water to indigenous communities in Arizona, New Mexico, and Utah. Untitled adds, “Every year I do this one big fundraiser called the Brooklyn Ball, for Callen-Lorde Community Health Center. They do get a lot of funding but it’s still a really important cause. Some of my smaller fundraisers are for more local organizations that are lesser known, and that are not getting any national aid or big corporate sponsorship, and the Navajo Water Project is one of them.”

Lynn Troller

It seems that for Untitled, it always came as second nature to be a patient learner and a compassionate advocate for inclusivity. Untitled Queen is adamant about adding captions to all of her videos and encourages others to do the same, “I became more aware of deaf and hard-of-hearing communities as well as accessibility, because I went to the drag scene in Rochester. They have a huge deaf community because of their deaf interpreter school. And so when I went to do their show, their shows were completely live-interpreted all the time and they had a big deaf community in their queer club. They were interpreting and signing and I was like, whoa, I’ve never seen this before. That night I met a deaf drag queen. I’ve never met a deaf drag queen before. I was so stunned by that. I feel like in New York we think we’re really ahead of the curve in a lot of ways and we’re not. So then I started to learn more about deaf culture. Deaf culture loves drag, loves queer culture, just as much as anyone else. I realized, why would you go to a drag show or any live event if you’re not being encouraged to be welcomed there. So that’s when I started to get really passionate about it.”

Ricky Rosé

Cherub Borne

Untitled has also become very interested in learning more about community-organizing aspects such as fundraising and charitable efforts. She says that uplifting and focusing on brown and Black voices has always been a part of her community in the Brooklyn drag scene, “I’ve always tried to challenge myself to widen the understanding of what community means, what it looks like and how to increase accessibility on lots of different levels, and I always realize how much more you can be challenging yourself to really understand what those ideas are about. Lady Quesadilla is a friend of mine and is another amazing drag queen and she’s been saying this stuff for years. In her pre-show speeches she’d always say, ‘We need to question what our community boundaries are, your community doesn’t look like you. Your community is the homeless, people with disabilities, the incarcerated. What are you doing for your community?’ And now its resonating with me even more hardcore. I want to also be an example for people to really acknowledge their complicity, acknowledge that you have something to work on. It’s not like, ‘Oh, I just do these parties so I’m exempt from this conversation.’”

Anya Knees

In a recently resurfaced clip from a 1992 episode of Golden Girls, Blanche Deveraux is challenged by then up-and-coming actor Don Cheadle, when she proudly hangs up a Confederate flag at a party and defends it as a family heirloom and a reminder of the good ole days. After a few rebuttals from Don Cheadle’s character, Blanche finally concedes,

“…Everything that I grew up believing in, all of my wonderful memories, they are tarnished now by the truth.”

Fragility seems to be another topic associated directly with people’s resistance to change and progress, and is something that Untitled is familiar with as a light-skinned Puerto Rican and Filipino descendant, “Everybody who’s not Black and who’s not indigenous is in some proximity to white supremacy and white privilege. I feel like people of color that are non-Black often feel defensive because it feels like it diminishes our struggles or our shared feelings of oppression. I feel like I felt that in other people and even in myself. I feel like I’ve come to the realization that it’s not the same at all and that is the big distinction. I think that we are not exempt from the white supremacy machine. The only people that aren’t in proximity to whiteness are Black people and indigenous people. So that’s where I feel like we should recognize that we have the advantages, because of how we look… Being a non-Black, non-indigeous PoC doesn’t exempt you from having to work to dismantle white supremacy. I think it’s often an assumption that being a PoC means we share the same struggle as Black and indigenous people. We don’t, because we still benefit from white supremacy, and therefore still have privilege and work to do.”

A fine arts background served as an inspiration to Untitled’s name, and it also makes perfect sense why the show was named Untitled (America): “Untitled comes from just like the sort of a beginning as an art term, sort of a blank slate and an empty line that you can fill and project and create from what’s really not a fixed point of view. I’m really interested in constant deconstructing and constructing identity that is completely fluid and that understands that all these things are fluid. To me, that is what drag really is – it’s finding that kind of a light that brings all these art forms together. Drag for me is like the quintessential form of this construction, deconstruction, challenging labels, ideas and binaries. Drag does it constantly and on a big level, in lots of different ways and with lots of different approaches. Then you realize, wow these things are everywhere – you don’t have to be any certain way. But I think drag really emphasizes that because it’s made up of all these moves that you manipulate… I think that’s what’s so exciting about the show is that there’s this whole assumption of when people say ‘America’ and they mean ‘white.’ We’re always answering the questions, ‘Where are you from? No, really. Where are you from? Where are your parents from?’ because if you are a person of color, they don’t understand that you’re an American. The assumption is that America is white and so this show is talking about that.”

Untitled (America)

“I did a vampire show and I did a whole poem number about a Filipino vampire that looks herself up on Wikipedia. She basically begins to understand who she is based on what other people have told her on the internet and there’s really not that much. There’s not many images, there’s no video and so this is a parallel about what it means to be a Philippine X, because a lot of it is told identity. Not necessarily what I reflect out.”

– Untitled Queen

America ≠ white

Untitled (America)’s casting was pretty specific. Untitled Queen says that local drag is her favorite thing. She feels that what makes it so political and punk is its response to the immediate place that you are in with the people that you make that space with. She wanted to make sure that all of the participants would be PoC and that they didn’t have nationwide recognition or a following that other drag artists might have. Untitled really wanted to focus on people who were really doing something in their communities, like creating art in direct conversation with people in America, but then also not having had the chance to tell their stories. Untitled emphasizes that the show is by no means comprehensive or exhaustive, “There are so many different ways of gender and drag expression. This is why I say ‘drag artists,’ it’s because so many people only want to talk about drag queens and it’s so nauseating, so not wide, not a conversation. This is not just about drag queens, and the drag scene has never been just about them as much as we want to talk about them. The show is not exhaustive as in it doesn’t represent everybody, but it is a challenge for everyone, and myself, to expand what our community looks like, discover new artists, and uplift their work.”

Catch Untitled (America) on Untitled Queen’s Twitch account, at 5 PM EST on July 4, 2020. Half of the donations will be split between the performers, while the other half will be donated to the Navajo Water Project. Sidewalkkilla has collaborated with incredible illustrator Paco May, who was kind enough to contribute the beautiful illustrations of Untitled Queen, Cherub Borne, Ricky Rosé, Anya Knees, and Lynn Troller that accompany this article. All of the proceeds from the print sales of the drag artists’ illustrations will additionally benefit the Navajo Water Project. Please visit Paco May’s Etsy store and support the inidigenous grassroots organization and the incredible artists involved in the production of this show and the article (Untitled Queen and Paco May.)

Alexey Kim

Founder

Paco May

Illustrator


If you enjoy Paco’s work, plese consider donating:

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Categories
Bushwig Nightlife

Bushwig Throws Intergalactic NYE Party After a 7-Year Hiatus

EVENTS | NIGHTLIFE


Bushwig Throws Intergalactic NYE Party After a 7-Year Hiatus

It’s been 7 whole years since Bushwig celebrated New Year’s Eve. The last one was so epic, people were trying to bum rush through security to get themselves into the venue. One of Bushwig’s co-founders, Babes Trust, says that there was no major reason why another NYE party hasn’t been thrown since 2012.

This year’s event took over the entire multi-floor complex The Sultan Room, The Turks Inn & The Roof, providing plenty of room to play hide-and-seek or awaken your inner Dora the Explorer. The idea of hosting the party at the venue came when Babes was visiting The Sultan Room and found out that they were free on NYE. “So I just thought, I’m in town, Horrochata is in town, so let’s just fucking do it.” Horrochata is the second founding half of Bushwig.

With the EXTRAterrestrial theme, many came dressed in interplanetary attire, but no one felt alienated – Bushwig has always been known for creating safe space for queer creatives, letting them explore their sometimes unidentified identities.

“I think after this NYE we should definitely do it more. Also we are kind of into making it a super affordable, dope, fun Brooklyn party, which is just easy. I think that everyone is always super dramatic over New Year’s and it’s always this expensive anti-climax and we just want to keep it cute,” says Babes.

Peep a few moments below, starring Bushwig muses: Miz Jade, Baby Love as sexy baby Yoda, Juku, Thee Suburbia, and The PoC Collective, Sweaty Eddie, Charlene, Neon Calypso, and more.

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Alexey Kim

Founder

Categories
Events Festivals The Mixer Timeline

Bushwig 2019: Portraits And Performances With Slayyyter, Aja, Florida Maniac And More

THE MIXER | EVENTS


Bushwig 2019: Portraits And Performances

Bushwig festival has celebrated eight years! This was only our second year even knowing about it. Kind of sucks, because we’ve missed so many years of awesomeness. 

It was first started in 2012 by two local drag queens- Horrorchata and Babe Trust. Now, it has gone international. Berlin is the other hosting city at the moment. We are sure it will only keep growing.

There were many incredible performers this year. Lady BunnySlayyyter, Nina West, Scarlet Envy and Tammie Brown– just to name a few. One of the best things that happened this year was Serena Tea’s performance. She transformed into a human from a car on stage. An amazing homage to Bumblebee from the “Transformers” movie franchise.

Another notable moment of the night was Serena Tea’s crowning as the new Mx. Bushwig. Two previously reigning queens Charlene and Juku oversaw the ceremony. To sum it up, we can’t wait for the next year’s Bushwig festival already. Furthermore, we can’t wait to attend it in Berlin.

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