Wigwood Miami celebrated its fourth installment at the beginning of the new decade. The festival usually takes place the first weekend of February and, in our point of view, serves as the official opener for the must-attend LGBTQ+ events of the year. The reasoning for Wigwood taking place at this particular time of the year is actually very sound. A bearded drag queen Queef Latina, who is also a tailoring and sewing instructor and the winner of Miami New Times Best Drag Performer of 2019, is the creator and director of the festival.
“The reason why I decided to start Wigwood in early February is because I don’t want to be hot in drag. This is the perfect time to be in Miami weather-wise.”
It couldn’t be more true: in January everyone is still getting over their New Year’s blues and slumber, while in February people start to become more alive and look for things to get themselves into, especially if it warrants them to get out of the colder parts of the US and head over down to South Florida’s biggest queer performance festival. The flights to Miami in February are also very affordable, even though this time of the year is considered to be the high season. I purchased a one-way ticket from New York for less than $100.
Wigwood festival became Queef Latina’s brainchild when she moved back to South Florida, after 6 years of living in NYC. Queef cites the early years of the Bushwig festival as an inspiration. She loved how intimate it felt and she wanted to carry over the sentiment to her found-again home in South Florida. She approached Adam Gersten of Gramps about creating Miami’s own event that would mostly cater to the local queer community, and the rest is history.
Queef gives credit to her “drag husband” and best friend, local artist Sleeper, for inspiring her to keep on creating more safe spaces for Miami queers. Sleeper started the legendary Counter Corner party back in 2014, alongside Juleisy y Karla, creating the first queer space which “made people feel comfortable.”
“In 1930s Miami was called the Magic City, you could come here and see drag shows, they would be even advertised in the paper,”
Queef mentioned what she learned from the “Queer Miami” exhibit.
In the ‘70s, Miami’s queer progress was stunted by a powerfully adversary – Florida Orange juice spokesperson and singer Anita Bryant, who started a campaign named “Save The Children” opposing Metro-Dade County’s new anti-discrimination ordinance.
She famously referred to gay people as “human garbage” and stated that ,
“If gays are granted rights, next we'll have to give rights to prostitutes and to people who sleep with St. Bernards and to nail-biters."
“When South Beach was kind of crumbling and falling apart in the ‘80s and 90s and it was very dangerous, that was the queer hub. That’s when Adora started doing drag, there would be foam parties, and there was Warsaw and all these other great clubs, but then, as South Beach started becoming gentrified and developed, there was a big push, especially by a lot of rich sports people that were trying to kick out all the gays from South Beach. The reason Wilton Manors exists and is so gay, is because all these gays that were kicked out from South Beach relocated there. South Beach still has a gay scene, but it’s not as cool as what we do. For many years we would get a lot of hatred from the South Beach scene and the South Beach queens. And now, we’ve actually booked some South Beach girls. I tried to book them ever since the first year, and every year they either didn’t respond or they didn’t want to do it,”
says Queef, inadvertently weaving Wigwood’s history into Miami’s.
“It’s this old school mentality, where they are like ‘We are professionals, because we are entertainers and you are just a bunch of kids running around and you don’t look like a woman, you look like a monster.’ Eventually I started not giving a fuck and being like ‘Well we don't want to be you, we want you to be with us, because we are inclusive, but I am not trying to look like a woman, I have a beard. I want to look glamorous, I want to look beautiful, but I am not trying to pass.’”
Maybe all the press and recognition that Wigwood received over the course of its existence served as a catalyst for South Beach girls to finally partake in the Miami festival. Two days before the first day of Wigwood, a new issue of Miami New Times came out with Queef gracing its cover, pouting seductively, while striking a high-fashion pose. The article’s headline, “Queer & Here!,” jumps out from the front page.
“A few years ago, if you would have told me that a bearded drag queen … forget it, a drag queen period ... would be on the cover of a Miami newspaper that can reach anyone’s household, I wouldn’t have believed it.”
It seems that the “monsters” are rapidly taking over Miami’s gay scene and making it queer as fuck – hence the “Invasive Species” theme of this year’s festival.
“In Miami there’s surprisingly no queer bars and there’s very few gay bars. All of the queer parties that we have are in straight venues,”
Queef says, noting that her friend and hairstylist Patrick came up with that concept.
“Queers in Miami are the invasive species, because we are constantly invading these non-queer, non-gay spaces.”
Queef Latina is also adamant about calling Wigwood a queer party, not a gay party,
“We are trying to show that this isn’t a gay party, it’s a queer party – there is a difference. At a queer party you have a lot more transgender, non-binary people, a lot of people in drag. If you go in drag to a gay party, you are going to be hated on. It’s pretentious and not very welcoming, that’s what a gay party for me is ... A queer party is come how you are, whether you are big, hairy, super skinny, or missing an arm – you are accepted. It’s a different mentality. What I like about queer parties is there’s a lot of women. It doesn’t have to be gay. I like that there’s women – all my girl cousins come to Wigwood, they feel safe, comfortable, they have fun. It’s basically about inclusivity.”
When Queef says inclusive, she means it. Even from a monetary standpoint, the 3-day weekend pass cost only $35 this year. She says that she’s never turned away someone who couldn’t afford the ticket.
“Honestly I just do this for my friends. I have yet to make money from this, I barely even break even. But it's not even about making money. I try to keep it accessible, cuz I know all the queers are broke,” she laughs, “If it’s too expensive, people are not going to come, or the people that I want to come aren’t going to come. I’m not trying to throw a party for people I don’t know. I throw this party for my friends, and I want all of my friends to come and hang out with me.”
In comparison, the Afropunk festival that first started in 2005 as a block party and was free to attend, in 2019 charged a whopping $180 for a Saturday VIP ticket during its Brooklyn edition. Queef Latina refuses to hike up the ticket prices, sell VIP tickets, or sell bottles. Making money is not the goal; making everyone feel equal is the priority.
Unquestionably, Queef is beloved in the community, and a bunch of people make a beeline to greet her on the first day of the event at Club Space. She says that if next year her friends don’t want to do the party, she simply won’t do it.
At some point during the night she walks out on stage, clutching the microphone, and humbly says,
“I just wanted to say that this party is for you guys.”
Love is in the air and it's palpable. Is this what Queef was referring to when speaking of the first few years of Bushwig?
After the last day of Wigwood, a relaxing hotel pool party, a bunch of event attendees and performers ended up at Queef’s house, dubbed “The House of Shame,” for the after-party.
“Oh, so she wasn’t lying, she does know all these people,”
A few drag performers that flew in for the festival from other cities in the US felt welcome and right at home, some of them even crashing at Queef’s pad.
“So Queef, how many drag children do you have?”
I lost count of the people clinging to her figurative skirt over the course of the house afterparty.
“I have 7 drag children, I told you I really am queer Miami’s mommy,”
Can it be that Queef Latina is one of the pioneers rewriting or adding to LGBTQ+ history in South Florida? Who knows, but it is highly likely she is already on her way in doing so.
Wigwood IV Day 1
Wigwood IV Day 1 with performances by Amanda Lepore, Landon Cider, MTHR TRSA, TP Lords and more.
Wigwood IV Day 2
Wigwood IV Day 1 with performances by Queef Latina, Jupiter Velvet, Daisy Deadpetals, Serena ChaCha and more.